Kweku Flick Faces Backlash Online From Ghanaians

READ: Kweku Flick Faces Backlash Online From Ghanaians

Ghanaian musician Kweku Flick has come under intense criticism on social media after suggesting that his music is receiving greater support from outside Ghana than from his home country.

The controversy began after the musician publicly thanked Tanzanian content creator Tenge Tenge for showing love to his music, particularly his latest song, “FRANGŌ.”

In a post shared on social media, Kweku Flick expressed appreciation for the international support while pointing out what he believes is a difference between the reception he gets abroad and the response from Ghanaian audiences.

He wrote:

“Sometimes the support you expect from home comes from somewhere else. Tenge Tenge, my brother, thank you for the genuine love. The people of Ghana know FRANGŌ is a Big record!! but somehow the support from outside is louder than the support from home.”

Although the comment appeared to be an expression of frustration and appreciation for international recognition, it quickly sparked a debate among Ghanaian music fans.

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Some critics accused the “High” hitmaker of overlooking the support he has received from Ghanaian fans throughout his career. Others reminded him that local fans, DJs, bloggers and music enthusiasts have consistently promoted and celebrated his work.

For some fans, the issue was not Kweku Flick appreciating international support but rather the suggestion that support from outside Ghana is louder than that of Ghanaians.

However, others came to the musician’s defence, arguing that his statement reflects a wider challenge faced by Ghanaian artistes. According to this school of thought, local musicians sometimes receive stronger recognition and opportunities after gaining attention internationally.

The conversation also gained momentum after fellow Ghanaian musician Yaw Tog appeared to share a similar sentiment, referencing the popular saying that a person may not always receive the highest level of appreciation in their own home.

The debate has once again opened discussions about the relationship between Ghanaian artistes and their home audience, and whether local music fans truly support Ghanaian musicians enough.

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